In any event, check the new vid from the out of sight, but not out of mind, Lil Wayne and our guilty pleasure, Ms. We’re Nicki Minaj fans, and we’re willing to discuss, should you disagree. With recent verses on Gyptian‘s joint (the most authentic-patois sounding female MC since Foxy, sorry Kim), Usher‘s “Little Freak” (which we think she ripped), Diddy‘s Hello, “Good Morning” remix and now this, we continue to be sure that her versatility, charisma and straight up ability, if unappreciated, is being underrated. It’s not a horrible track, but as in many of her appearances lately, Minaj is the highlight.Īlso, let’s remind our readers… We’ve long held the position that Nicki Minaj is more than the cartoonish Barbie that was being focused on, and insist that there is a depth of talent and artistry hidden within her persona. 1 music track with vocals (cover) Vocal Backing Track MP3. Production was handled by Mannie Fresh with executive producers Ronald 'Slim. It was released on Octovia Cash Money Records as the lead single from his debut solo studio album Tha Block Is Hot.Recording sessions took place at Cash Money Studios in Metairie, Louisiana.
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And while much experiment in hip hop sucks (due to experimentation for the sake of experimentation), we have to look at the track and the accompanying video with appreciation, for the temporary New Yorker and Queens’ Queen Minaj. Waptrick Future Mp3: Download Drake feat Future feat Young Thug - Way 2 Sexy, Future feat Drake - Life Is Good, DJ Khaled feat Chris Brown August Alsina Future Jeremih - Hold You Down, Rich Gang Lil Wayne Birdman Mack Maine Nicki Mininaj Future - Tapout, Young Thug feat Future - Relationship, Future - Mask Off, Dj Khaled feat Nicki Minaj Rick Ross Future - I Wanna Be With You, Wizkid feat. Forever made famous by Lil Wayne (Drake) 2 music tracks in MP3 instrumental version. 'Tha Block Is Hot' is a song by American recording artist Lil Wayne featuring fellow rappers B.G. This is just another example of how not to make music.When Lil Wayne‘s not smuggling around mp3 players in Rikers Island, he is dropping videos, including this one for “Knockout,” the auto-tuned, rocked out joint which finds Weezy musically expressing his admiration for Nicki Minaj in an energetic boxing-themed motif, which along with Nicki’s rapid-fire eyelash-batting, hurriedly matches the oh-Mickey-you’re-so-fine-ish energy of the track.ĭespite the generally bad reviews for Wayne’s Rebirth project, we’ve gone on the record stating that Wayne is doing what any high caliber, talented hip hop artist does once he’s reached a certain plateau.
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Lil Wayne may not be able to make good music, and may be disappointed by album sales, but perhaps he shall learn how to conduct a proper album. Re-rhyming is present, punchlines are absent, and intellectual metaphors remain to be found.Īll in all, Rebirth is an album devoid of any quality presented in any way shape or form. Ranging from depressed, heartbroken rants from a pedophilic perspective (“Prom Queen”) to black, violent angst (“Drop the World”) to examination of sexually attractive women (“On Fire,”) Lil Wayne words his lyrics in such a way that carefully scrutinization of Rebirth’s libretto results in facepalming. If it’s possible to get past the terrible instrumentals – which would be quite the impeccable feat – you can then move onto the poor lyrics. The production fails to deliver anything but annoying, with watered-down screeches, unamplified power strumming, and uncoordinated breakdowns, Lil Wayne exhibits how little he knows about rock.īut, at least that’s the worst part. In addition, the tragic misuse of the guitar is, quite frankly, despicable. With his whispy, asthmatic, syrupy voice and lazy delivery, Wayne brings absolutely no rock-esque energy to this rock album. With no guests that obtain the slightest knowledge of the rock genre, Lil Wayne proceeds to abuse the guitar, and runs completely counter to the basic singing style of the rock genre.Įxcluding “Drop the World” Lil Wayne approaches rock’n’roll singing in a god awful manner. Just by sheer observation of the track listing, it’s quite obvious that Lil Wayne will flounder around with the concept of rock. Prom Queen has a strong instrumental and tells a love story between a rachet girl chasing after guys that treat her poorly and is executed pretty well. Though a lot of songs on here are forgettable, there are definitely a handful of hot bangers on here. This is surely not an album that will make me miss Wayne while he serves his time. Every emo rapper nowadays wants to be like Lil Wayne and venture into rap-rock. Although his sales were screwed over by the music industry, with this awful album, Lil Wayne screwed his own career over. But, after leaks, featured singles, and months of delays, Rebirth only sold 176,000 copies in its first week. In an attempt to gain even MORE fans, Lil Wayne made the decision to make a rock-rap crossover album, and he was self-assured it would be epic. His past two albums Tha Carter II and Tha Carter III sold 1.2 million and 1 million copies in their first weeks, respectively. Recently, Lil Wayne’s mainstream success has been astounding. Review Summary: This is just another example of how not to make music.
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